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	<title>流景之間 - 探即新聞 | TanJiNews</title>
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		<title>《流景之間》楊綵翊個展 以心境為景 展開時間與情緒的對話</title>
		<link>https://tanjinews.com/archives/59695</link>
		
		<dc:creator><![CDATA[黃 淑貞]]></dc:creator>
		<pubDate>Fri, 27 Mar 2026 09:37:20 +0000</pubDate>
				<category><![CDATA[地方社會]]></category>
		<category><![CDATA[港灣新聞]]></category>
		<category><![CDATA[高屏]]></category>
		<category><![CDATA[帕莎蒂娜]]></category>
		<category><![CDATA[流景之間]]></category>
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					<description><![CDATA[<img width="1333" height="750" src="https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145404.jpg?fit=1333%2C750&amp;ssl=1" class="webfeedsFeaturedVisual wp-post-image" alt="▲楊綵翊透今天親自分享創作理念與作品故事。（圖/記者黃淑貞攝）" style="display: block; margin-bottom: 5px; clear:both;max-width: 100%;" link_thumbnail="" decoding="async" srcset="https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145404.jpg?w=1333&amp;ssl=1 1333w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145404.jpg?resize=690%2C388&amp;ssl=1 690w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145404.jpg?resize=1280%2C720&amp;ssl=1 1280w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145404.jpg?resize=768%2C432&amp;ssl=1 768w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145404.jpg?resize=750%2C422&amp;ssl=1 750w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145404.jpg?resize=1140%2C641&amp;ssl=1 1140w" sizes="(max-width: 1333px) 100vw, 1333px" /><p>〔記者黃淑貞／高雄報導〕在講求速度與效率的時代，人們往往被資訊洪流淹沒，忽略了內心細微卻翻湧的感受。藝術家楊綵 [&#8230;]</p>
<p>〈<a href="https://tanjinews.com/archives/59695">《流景之間》楊綵翊個展 以心境為景 展開時間與情緒的對話</a>〉這篇文章最早發佈於《<a href="https://tanjinews.com">探即新聞 | TanJiNews</a>》。</p>
]]></description>
										<content:encoded><![CDATA[<img width="1333" height="750" src="https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145404.jpg?fit=1333%2C750&amp;ssl=1" class="webfeedsFeaturedVisual wp-post-image" alt="▲楊綵翊透今天親自分享創作理念與作品故事。（圖/記者黃淑貞攝）" style="display: block; margin-bottom: 5px; clear:both;max-width: 100%;" link_thumbnail="" decoding="async" srcset="https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145404.jpg?w=1333&amp;ssl=1 1333w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145404.jpg?resize=690%2C388&amp;ssl=1 690w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145404.jpg?resize=1280%2C720&amp;ssl=1 1280w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145404.jpg?resize=768%2C432&amp;ssl=1 768w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145404.jpg?resize=750%2C422&amp;ssl=1 750w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145404.jpg?resize=1140%2C641&amp;ssl=1 1140w" sizes="(max-width: 1333px) 100vw, 1333px" /><p data-start="81" data-end="203">〔記者黃淑貞／高雄報導〕在講求速度與效率的時代，人們往往被資訊洪流淹沒，忽略了內心細微卻翻湧的感受。藝術家楊綵翊以獨特筆觸與色彩，於個展《流景之間》中，打造不描繪寫實風景、而是映照心境的藝術空間，邀請觀者展開一場關於時間、記憶與情緒的視覺對話。</p>
<figure id="attachment_59697" aria-describedby="caption-attachment-59697" style="width: 690px" class="wp-caption alignnone"><img data-recalc-dims="1" fetchpriority="high" decoding="async" class="size-medium wp-image-59697" src="https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_150320.jpg?resize=690%2C389&#038;ssl=1" alt="▲楊綵翊透過不同情境呈現人面對環境時的心理變化與感受，轉化為畫面中的色彩與空間張力。（圖/記者黃淑貞攝）" width="690" height="389" srcset="https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_150320.jpg?resize=690%2C389&amp;ssl=1 690w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_150320.jpg?resize=1280%2C721&amp;ssl=1 1280w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_150320.jpg?resize=768%2C432&amp;ssl=1 768w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_150320.jpg?resize=750%2C422&amp;ssl=1 750w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_150320.jpg?resize=1140%2C642&amp;ssl=1 1140w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_150320.jpg?w=1332&amp;ssl=1 1332w" sizes="(max-width: 690px) 100vw, 690px" /><figcaption id="caption-attachment-59697" class="wp-caption-text">▲楊綵翊透過不同情境呈現人面對環境時的心理變化與感受，轉化為畫面中的色彩與空間張力。（圖/記者黃淑貞攝）</figcaption></figure>
<p data-start="205" data-end="289">《流景之間》不指涉具體地景，而是一種「在心中流動的風景」。創作中，楊綵翊將難以言喻的情緒轉化為線條與色彩，有時平靜如止水，有時翻湧如浪，呈現生活中細膩而多變的心理狀態。</p>
<figure id="attachment_59698" aria-describedby="caption-attachment-59698" style="width: 690px" class="wp-caption alignnone"><img data-recalc-dims="1" decoding="async" class="size-medium wp-image-59698" src="https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145544.jpg?resize=690%2C389&#038;ssl=1" alt="▲《流景之間》不指涉具體地景，而是一種「在心中流動的風景」。（圖/記者黃淑貞攝）" width="690" height="389" srcset="https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145544.jpg?resize=690%2C389&amp;ssl=1 690w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145544.jpg?resize=1280%2C721&amp;ssl=1 1280w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145544.jpg?resize=768%2C432&amp;ssl=1 768w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145544.jpg?resize=750%2C422&amp;ssl=1 750w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145544.jpg?resize=1140%2C642&amp;ssl=1 1140w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145544.jpg?w=1332&amp;ssl=1 1332w" sizes="(max-width: 690px) 100vw, 690px" /><figcaption id="caption-attachment-59698" class="wp-caption-text">▲《流景之間》不指涉具體地景，而是一種「在心中流動的風景」。（圖/記者黃淑貞攝）</figcaption></figure>
<p data-start="291" data-end="374">在技法上，她以「線條如呼吸、色彩如時光」為創作核心，透過層層堆疊與反覆修正，保留覆蓋與擦拭的痕跡，形成富含節奏與生命感的畫面肌理，也讓作品成為創作者與自我對話的過程。</p>
<figure id="attachment_59699" aria-describedby="caption-attachment-59699" style="width: 690px" class="wp-caption alignnone"><img data-recalc-dims="1" decoding="async" class="size-medium wp-image-59699" src="https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_150554.jpg?resize=690%2C388&#038;ssl=1" alt="▲楊綵翊與她的指導老師。（圖/記者黃淑貞攝）" width="690" height="388" srcset="https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_150554.jpg?resize=690%2C388&amp;ssl=1 690w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_150554.jpg?resize=1280%2C720&amp;ssl=1 1280w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_150554.jpg?resize=768%2C432&amp;ssl=1 768w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_150554.jpg?resize=750%2C422&amp;ssl=1 750w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_150554.jpg?resize=1140%2C641&amp;ssl=1 1140w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_150554.jpg?w=1333&amp;ssl=1 1333w" sizes="(max-width: 690px) 100vw, 690px" /><figcaption id="caption-attachment-59699" class="wp-caption-text">▲楊綵翊與她的指導老師。（圖/記者黃淑貞攝）</figcaption></figure>
<p data-start="376" data-end="467">本次展覽聚焦兩大系列：「魚」與「貓」。其中，「魚」象徵情緒在生活洪流中的流動與漂浮；「貓」則作為人的隱喻，透過不同情境呈現人面對環境時的心理變化與感受，轉化為畫面中的色彩與空間張力。</p>
<figure id="attachment_59700" aria-describedby="caption-attachment-59700" style="width: 690px" class="wp-caption alignnone"><img data-recalc-dims="1" loading="lazy" decoding="async" class="size-medium wp-image-59700" src="https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145752.jpg?resize=690%2C388&#038;ssl=1" alt="▲楊綵翊透過不同情境呈現人面對環境時的心理變化與感受，轉化為畫面中的色彩與空間張力。（圖/記者黃淑貞攝）" width="690" height="388" srcset="https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145752.jpg?resize=690%2C388&amp;ssl=1 690w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145752.jpg?resize=1280%2C720&amp;ssl=1 1280w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145752.jpg?resize=768%2C432&amp;ssl=1 768w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145752.jpg?resize=750%2C422&amp;ssl=1 750w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145752.jpg?resize=1140%2C641&amp;ssl=1 1140w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_145752.jpg?w=1333&amp;ssl=1 1333w" sizes="(max-width: 690px) 100vw, 690px" /><figcaption id="caption-attachment-59700" class="wp-caption-text">▲楊綵翊透過不同情境呈現人面對環境時的心理變化與感受，轉化為畫面中的色彩與空間張力。（圖/記者黃淑貞攝）</figcaption></figure>
<p data-start="536" data-end="594">展覽在今天3月27日下午舉辦開幕茶會，藝術家親自分享創作理念與作品故事，邀請觀者在藝術氛圍中放慢步調，感受片刻寧靜，展期自2026年3月17日至5月3日，地點於帕莎蒂娜青海餐廳（高雄市鼓山區青海路167號）。</p>
<figure id="attachment_59701" aria-describedby="caption-attachment-59701" style="width: 690px" class="wp-caption alignnone"><img data-recalc-dims="1" loading="lazy" decoding="async" class="size-medium wp-image-59701" src="https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_151539.jpg?resize=690%2C388&#038;ssl=1" alt="▲《流景之間》楊綵翊個展在帕莎蒂娜青海餐廳展出。（圖/記者黃淑貞攝）" width="690" height="388" srcset="https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_151539.jpg?resize=690%2C388&amp;ssl=1 690w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_151539.jpg?resize=1280%2C720&amp;ssl=1 1280w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_151539.jpg?resize=768%2C432&amp;ssl=1 768w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_151539.jpg?resize=750%2C422&amp;ssl=1 750w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_151539.jpg?resize=1140%2C641&amp;ssl=1 1140w, https://i0.wp.com/tanjinews.com/wp-content/uploads/IMG_20260327_151539.jpg?w=1333&amp;ssl=1 1333w" sizes="(max-width: 690px) 100vw, 690px" /><figcaption id="caption-attachment-59701" class="wp-caption-text">▲《流景之間》楊綵翊個展在帕莎蒂娜青海餐廳展出。（圖/記者黃淑貞攝）</figcaption></figure>
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<p>〈<a href="https://tanjinews.com/archives/59695">《流景之間》楊綵翊個展 以心境為景 展開時間與情緒的對話</a>〉這篇文章最早發佈於《<a href="https://tanjinews.com">探即新聞 | TanJiNews</a>》。</p>
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